Konrad Witz (c. 1400–1446) was a groundbreaking figure of the Northern Renaissance, celebrated for his pioneering use of linear perspective and naturalistic detail. His Miraculous Draught of Fishes (1444) is widely regarded as one of the first paintings in European art to depict a landscape based on direct observation. In his sacred altarpieces and panel paintings, Witz combined Gothic elegance with a startling realism that would influence generations of artists to come.
This richly illustrated art book, edited by renowned art historian Bodo Brinkmann, gathers over 80 works by Witz and his circle, many brought together for the first time. Featuring 287 illustrations (230 in color) and insightful essays by leading scholars, the catalog offers an in-depth exploration of Witz’s artistic innovations, his place within the cultural and theological context of 15th-century Europe, and his legacy as a master of spatial illusion and psychological depth.
This is not just a catalog, it’s a definitive monograph. Its scholarly value, exceptional production quality, and the rarity of comprehensive studies on Konrad Witz make it a must-have for collectors of early Renaissance art and anyone seeking to deepen their understanding of European painting. Long out of print and increasingly hard to find, it is both a visual feast and a research cornerstone.
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