This exhibition catalog accompanies 1924. Other Surrealisms, presented at Fundación MAPFRE in Madrid, and offers a offers a new perspective on the reception and transformation of surrealism in Spain and Latin America. Rather than revisiting the familiar Paris-centered narrative shaped by André Breton’s manifesto, the volume expands the field to include alternative, parallel, and often overlooked surrealist practices.
The catalog brings together painting, drawing, photography, and archival materials to show how Surrealism developed unevenly across different cultural and geographic contexts. Spain and Latin America play a central role, revealing how local traditions, political realities, and artistic networks shaped distinct surrealist languages that existed alongside, and sometimes in tension with, the canonical movement.
A key strength of the publication is its attention to artists who have long remained on the margins of surrealist histories, including women artists Gala Dalí, Maruja Mallo, Remedios Varo, and Grete Stern, and figures working outside the main Parisian circles. Through newly commissioned essays and carefully selected works, the catalog reframes Surrealism as a plural phenomenon rather than a unified doctrine.
Richly illustrated and scholarly yet accessible, 1924. Otros Surrealismos is both a reference work and a critical intervention. It will appeal to readers interested in modernism, avant-garde art, and the complexities of how artistic movements circulate, transform, and resist central narratives over time.
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