The book explores a pivotal decade in the career of John Singer Sargent—his formative years in Paris between 1874 and 1884—when he studied, experimented, and established his reputation as a bold portraitist with a striking modern edge. Far from the image of a polite society painter, the young Sargent was drawn to Parisian innovation and created works that blended academic precision with daring flair.
Featuring more than 100 works, including portraits, figure studies, and genre scenes, the catalog traces how Sargent absorbed influences from Velázquez, Manet, and the Impressionists while forging his distinct voice. Highlights include early masterpieces such as Rehearsal of the Pasdeloup Orchestra at the Cirque d’Hiver and the infamous Portrait of Madame X, which sparked both scandal and admiration upon its debut.
Accompanied by essays from leading scholars, this volume sheds light on the artistic and social circles that shaped Sargent’s early development and provides a fresh look at how the city of Paris helped launch one of the great portraitists of his generation
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