This richly illustrated exhibition catalog explores the artistic journey of Anthony van Dyck, one of the most refined portraitists of the Baroque era. Moving across the major cultural centers of Antwerp, Genoa, and London, the catalog traces how his style evolved in response to different patrons, courts, and artistic traditions.
Bringing together portraits, religious works, and mythological compositions, the book reveals the full range of Van Dyck’s output. From the sophistication of Genoese aristocracy to the grandeur of the English court under Charles I, his paintings reflect both the ambitions of his patrons and his own unmistakable visual language.
The catalog places particular emphasis on Van Dyck’s international career, positioning him not just as a Flemish master, but as a truly European artist whose influence shaped portraiture across the continent. Scholarly essays provide context on his training, travels, and network, offering insight into the cultural exchanges that defined early modern Europe.
Published on the occasion of the Genoa exhibition, this volume stands as both a reference work and a collector’s piece for anyone interested in Baroque painting, court culture, and the evolution of portraiture in the 17th century.
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