Painted Gold. El Greco and Art Between Crete and Venice

Painted Gold: El Greco and the Art between Crete and Venice explores the extraordinary artistic dialogue that shaped one of the most fascinating painters of the early modern era. After the fall of Constantinople in 1453, Crete, then a Venetian territory, emerged as a major center of Byzantine icon painting, with more than a hundred workshops producing devotional images for local and international markets. At the same time, Venice, celebrated as a “new Byzantium,” welcomed a steady influx of artworks and artists from the Aegean islands.

This cultural exchange sparked a remarkable fusion of traditions: the hieratic elegance of Byzantine art intertwined with the human-centered naturalism of Renaissance painting. The catalog traces this dynamic encounter, showing how it laid the foundations for El Greco’s singular vision. With essays by leading scholars and richly illustrated examples, the book highlights both well-known masterpieces and lesser-studied works, offering fresh insights into the networks of influence that connected Crete and Venice.

Published to accompany the exhibition Painted Gold, this volume is an essential resource for anyone interested in the history of cross-cultural encounters in art, the survival of Byzantine traditions, and the birth of new artistic languages in the Renaissance world.